Poem Summary
Lines 1-4:
In line 1 of "Whoso List to Hunt," the narrator states that for those who wish to hunt, he knows of a particular hind, a female deer. The narrator himself is trying to abandon the hunt, acknowledging in line 2 that this hind is beyond his reach. Indeed, he is "wearied" from the "vain travail," the useless work, of the hunt; he has begun to recognize the futility of the pursuit. He laments in the fourth line that he is the last of the pursuers, the one "that farthest cometh behind."
Lines 5-8
In the second stanza, the narrator states that he cannot take his "wearied mind from the deer." When she flees, he proclaims, "Fainting I follow." Nevertheless, he is ultimately forced to indeed abandon the chase, as she is too fast and all that he can catch is the wind that rises after she passes. In sum, the first eight lines, the octave, state the problem of the writer's wasted hunt.
Lines 9-14
In the closing sestet, the invitation initially offered by the narrator to whoever wishes to hunt this particular hind is partly rescinded; in line 9, the narrator states that he will remove any doubt about the wisdom of doing so. Just as his hunt was in vain, so would be those of other hunters, as the hind wears a diamond collar around her neck proclaiming her ownership by another. The concluding couplet notes that the collar reads "Noli me tangere," or "Touch me not" in Latin. Thus, the first part of the warning is "Touch me not, for Caesar's I am." According to legend, long after the ancient Roman emperor Caesar's death, white stags were found wearing collars on which were inscribed the words "Noli me tangere; Caesaris sum," or "Touch me not; I am Caesar's." The first part of that phrase, "Noli me tangere," is also a quotation from the Vulgate Bible, from John 20:17, when Christ tells Mary Magdalene, "Do not touch me, for I have not yet ascended to my Father." In the final line, the warning on the collar continues: the deer herself declares that while she appears tame, holding her is dangerous, as she is wild.
Analysis:
Allegory
In literature, an allegory is an extended metaphor in which objects and events hold symbolic meanings outside of the literal meanings made explicit in the narrative. In Wyatt's sonnet, the hunter's pursuit of the hind can be held to represent Wyatt's pursuit of Anne Boleyn, and the hind's being the property of Caesar can represent the "ownership" of Anne Boleyn by King Henry VIII. All of the accompanying descriptions of the hunt and the hunter's emotions, then, can be applied to this actual romantic situation
Petrarchan Sonnet
The Petrarchan sonnet, also known as the Italian sonnet, consists of two separate sections. The first part is the octave, an eight-line stanza, wherein a problem or issue is put forth. The second part is the sestet, wherein some resolution to the problem is provided. In "Whoso List to Hunt," the octave describes the futile pursuit of the hind, while the sestet explains why the hunter cannot capture his prey: she is the property of her royal master, and to capture her would endanger both the hind and the hunter. More specifically, Wyatt's sestet consists of a quatrain (four lines) and a couplet (two lines), as can be seen in examining the rhyme scheme. Petrarch divided his sonnets into octaves of abbaabba and sestets of various rhyme schemes, usually cdecde or cdcdcd. Wyatt's rhyme scheme is slightly different: abbaabba, cddc, ee. Within such structures, certain rhymes may be somewhat irregular, particularly in that certain words may have been pronounced differently in Elizabethan times. In Wyatt's sonnet, wind, as in "breeze," with a short i sound, is held to rhyme with the long i of hind, behind, and mind. Similarly, in the last couplet, the long a of tame is held to rhyme with the short a of am. In reading that couplet aloud, one might distort the sounds of either or both of those words in order to approximate a rhyme. In ending with a couplet, Wyatt puts emphasis on both of the last two lines; in contrast, the Petrarchan form places more emphasis on the last line of the octave and the last line of the sestet.
Pentameter
The most common meter of the Elizabethan period was pentameter, wherein a line of verse contains five measures, or feet. If each foot contains two syllables — such as with an iamb, where the second syllable is stressed — each line will contain a total of ten syllables. The resulting rhythm can heighten the reader's aesthetic appreciation of and emotional response to the poem. The best way to understand iambic pentameter is to read a poem aloud, paying close attention to the sounds of the stressed and unstressed syllables. Wyatt's use of iambic pentameter was irregular; in fact, when some of his poems were included in Tottel's Miscellany, the printer revised and smoothed out the meter. In "Whoso List to Hunt," lines 1, 4, 6, and 8 contain eleven syllables, and line 14 contains only nine syllables; the remaining lines all contain the expected ten syllables. With respect to the measures, or feet, line 10, for example, can be read as a sequence of five iambs; in line 5, on the other hand, only the last two feet are true iambs, while the first three are either trochees, with the first of two syllables stressed, or spondees, with the first and second syllables both stressed. Wyatt used meter and measure irregularly to create his own style.
Visual Imagery
Within a poem, the relationships between images can suggest important meanings. Line 3, "The vain travail hath wearied me so sore," calls to mind the image of a hunter weary with a chase; in being aware of the poem's allegory, the reader will associate this image with a suitor who has exhausted himself in trying to court the object of his affection. Throughout the poem, then, images of the active hunt are associated with the romantic situation in question, endowing it with a degree of excitement that might not otherwise be present. Indeed, effective visual imagery allows the reader to experience a poem in a heightened fashion.
موضوع: شعر اسلام الصادى(whoso list to hunt by sir thomas wyatt) 
الثلاثاء نوفمبر 10, 2009 2:07 am
